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Orba 2 Custom Preset Repository


This forum is intended to share Orba 2 Custom Presets amongst the Orba 2 community. NOTE: Please upload Presets as a .zip file beginning with the folder Common as described in the first post of this forum.

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Great job ,and video is very cute)

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Two new synth based presets for the Orba 2. These are a Diatonic Major, and Pentatonic Major versions of a wooden pipe organ type sound. In the higher octave it becomes a bit more like a bamboo flute or whistle, and in the lower octave soft and smooth.  I deliberately chose to keep them clean. No gestures, minimal reverb etc.

Install by merging the Common folders as described above or copying the image and preset files into the  images and lead folders respectively. 

Hope you might enjoy them.

Thanks to the guys above in this thread - they're understanding help a lot.

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@gerald rolon

I read your post again and had missed your comments about the samples - that seems very strange to me unless you did something odd with the files - Windows could possibly have done unwanted things if they were opened and saved again. (Although that seems unlikely.)

It wouldn't surprise me if Android or Apple OS's do their own things with peoples files.

Rather than re-sample sounds I would suggest double checking the properties of them - Windows apparently assumes that no-one would want to use 16bit audio anymore. I use a portable version of Audacity set up to use specifically for Orba stuff.

I have also had a suspicion that updates to the app may have introduced extra checks to the format of presets which led me to try slightly adjusting a couple of artipresets - but having loaded a bunch of my older presets successfully to a new Orba 2 recently I'm less convinced about that thought.

The SynthPatch in a preset are the same in both Orba 1 and 2, however the rest is different mostly because much of it is encoded in base64(? - I'm not that technically savvy) on the Orba 1. (You probably know that!)

I use Orbasynth to work on the SynthPatch only. The rest is all taken and adjusted from existing Orba 2 presets.

@Gerald Rolon

Thanks for that. 

I prefer to try and sample "real" instruments if I can - partly because that's what I want, and partly because most (perhaps all) of the Artiphon made ones use ready made sources from other synths so it feels like it's already been done! Where I have used synth samples it's because I've not been able to get recordings of an instrument or voice to get samples from.

It looks like you've used the presets created by sampling on the Orba as a model. That might not be the best approach, certainly not if you want the natural inconsistencies of a "real" instrument. I want them to be more natural in sound if I can. (Of course, I can't always achieve that.) I would use more samples in the pitch ranges that are actually used, though I now take trouble to try and keep the total size of the sample pool down, if I can, it also makes it less work.

I had one of the earliest Casio keyboards (MT100?) a long, long while ago and deeply regret having parted with it! There were sounds on it I wish I still had.

@gerald rolon

Sorry you had problems with the presets - I hope you didn't try to load them all at once! I wouldn't recommend that.

I have only ever had an Orba 2 and all the presets in that collection were taken from my Orba 2 and were working. (I made a point of doing that to avoid accidently including any of my working attempts or other files that might have errors.)

I think you may have done something wrong. I can only give any suggestions based on using the app on Windows - I don't have experience of using Macs, ipads or android. It might help if we knew what system you are using.

First thing is -  it won't work if you just copied the whole lot into the Artiphon folder in one go.

In your Artiphon folder (in your User>Documents folder) the .artipreset files should go into the Common>Presets>Lead, Chords or Bass folder as appropriate (most are leads). The images (not actually vital, but the app uses them) should go into the Common>Images folder (although I have found sometimes they need to be copied into the C:\Users\Public\Public Documents\Artiphon\Common\Images folder as well - don't know why that happens!) 

If the preset uses samples, the folder containing the samples needs to go into the Common>SamplePools folder.

The suggested method for loading each preset or group of presets is to merge the common folders in each individual folder of the collection and the Common folder in the Artiphon folder, which will put them in the right place, although I have a stubborn habit of doing it by copying them by hand myself.

Once the files are copied to the right places they should show up in the app and can then be loaded onto the Orba 2 - where there are samples they will take a bit more time to load.

Hope this helps.

Yes. There is an Orba 2 folder that has all the code.


Hi, does your python code work with Orba-2?



@David Benton

Hey David,

I downloaded the zip file you shared with us ( and I think you have an Orba-1.  I have an Orba-2 and only 2 or 3 worked.  The ones with sound samples did not work at all.  But I was able to sample the sounds one at a time and created presets that did work.

The ones without sound samples looked like they were created using OrbaSynth (which is not compatible with Orba-2).  If only Artiphon would have created a users manual or fix it so that OrbaSynth would work.

I wonder what bugs people are going to find in Chorda ;)

The Grand Piano preset uses 96 samples, the Electric Piano 45. Recording with the Orba uses 1.

I would love a Kalimba preset as good as the piano ones.  Anyone think this is doable?  I tried the recording thing and it only produces the right sound on a computer so whats the point of the little ball lol?

I have just realised that my presets using pitch bend rely on pitch bend being set at 100%. If you have loaded any of these and found they don't work as expected that's probably the reason. Just go to the settings page and set pitch bend to 100%. Alternatively, if you don't want to reset your pitch bend then you could change the numbers in the seeker entry in the preset. Sorry, but I can't tell you what numbers you would need though.

I have found when using pitch for sliding from one note to the other a circular motion on the key gives a better sound than a straight up and down motion a subtle difference but it works. (I will shortly post a new preset with a Chinese Zheng like sound - this works well with this.)

And finally, if you have one of these presets set when you are using Orbasynth it will respond to the pitch bend (on Windows at least), however this won't be included in any resulting preset you save from the app. You would have to tinker with the preset if you wanted pitch bend in the preset.

Oh, and one last (hopefully) thought. If you can get all the chords you want from seven keys (with open chords you could get a full chromatic set) you could do worse than use the 8th to set a diminished triad (not the four note chords that guitarists, including me, refer to as diminished chords). With pitch bend you should get 2 chords that would substitute for 6 7th chords! Haven't worked out which to use - but that may depend on what keys you use most.

Oh, and another thing - checking you haven't accidently broken the xml formatting is a good idea. There are online apps that will do this. I use .

But some text editors for programming have a checker facility built in.

(Good advice that came from Subskybox, I think.)

I was going to hold back posting these synth based presets until I could get round to making a collection of my recent experiments. But these presets are, I think, the best and most beautiful I have made. You don't even have to use them in a song to get a lot of pleasure from them. You might even find your Orba 2 seems incomplete without them.

Try versions 3 or 4 of the chord presets using key 1 to keep the beat with and the others for a bit of melody. There is a gentle percussive hit to the notes that makes this work well.

The Oct Lead preset is particularly good to play simple two part contrapuntal with the lower part played on keys close to the centre and the higher on the outer rim parts of the keys. It takes some practice, but it's well worth the effort. You can get results you wouldn't have thought possible.

Please note the Chromatic and Octave capable versions probably won't play well with external midi the devices and software. I don't do that myself so I haven't tested it but the way these are made means they may not pass the right midi messages to do it.

As ever, thanks to those whose efforts in finding and sharing how presets work enabled me to make these.






@Rusty Perez - Your idea is not without value but wouldn't be as useful as you hope I think. As you change key to play on bass and lead the chords shift with them which would defeat your purpose. To make a set of chords as you suggest would be straightforward -  Subskybox created a tool as an aid for for doing it,  (originally made for the Orba 1.) However, a set like that might have some use, and the fifths principle might work well for moving around a chord set, but I feel it would be best designed for the single key.

The voicing of each chord is worth paying attention to (not just it having the right notes) it can make a set have real character rather than just function.

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